{"id":3605,"date":"2022-11-22T18:01:17","date_gmt":"2022-11-22T17:01:17","guid":{"rendered":"http:\/\/fotofestiwal.com\/2023\/?page_id=3605"},"modified":"2023-03-01T23:05:12","modified_gmt":"2023-03-01T22:05:12","slug":"cemre-yesil-gonenli-hayal-hakikat","status":"publish","type":"page","link":"https:\/\/fotofestiwal.com\/2023\/en\/open-call\/cemre-yesil-gonenli-hayal-hakikat\/","title":{"rendered":"CEMRE YE\u015eIL G\u00d6NENLI"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">The photographs in this work depict the hands of prisoners from the early 20th-century Turkey, drawn from the photograph albums of Abdul Hamid II, the 34th Sultan of the Ottoman Empire. <em>Hayal &amp; Hakikat<\/em> (translated as Dream &amp; Fact), by Cemre Ye\u015fil G\u00f6nenli, takes the form of two booklets \u2014 <em>A Handbook of Forgiveness<\/em> and <em>A Handbook of Punishment<\/em> \u2014 which can be viewed side by side. Abdul Hamid II utilised photography as a tool for documenting the modernisation of the Ottoman Empire at the start of the 20th century. A photography studio was built inside the Y\u0131ld\u0131z Palace, and albums were reproduced and sent across the world as a testimony to the progress of the Ottoman Empire. Abdul Hamid II himself rarely left Istanbul, but commissioned photographs so he could become acquainted with his own country, otherwise invisible to his eye. Amongst other things, Abdul Hamid II was obsessed with crime fiction and in the 25th year of his reign he ordered all murder convicts to be photographed with their hands visible, in preparation for a planned amnesty. He had been moved by pseudo-scientific information he read in a crime novel that \u201cany criminal with a thumb joint longer than the index finger joint, is inclined to murder.\u201d To this end, the photographs in this book show the subjects\u2019 hands for the purpose of classification. They are presented in the book in categories \u2013 those chained with iron bracelets and those without such cuffs. The artist has cropped out the faces of the subjects, so their emotional state is ambiguous. The fate of the individual prisoners remains unknown, as there is no record of the verdict Abdul Hamid II gave after viewing the hands awaiting forgiveness. The book won the \u2018Award for the Best Photography Book of the Year\u2019 in the international category at PHotoESPA\u00d1A 2021 Awards and was shortlisted for the \u2018Photobook of the Year\u2019 category in the 2020 Paris Photo Aperture Foundation Photobook Awards and the \u2018Historical Book of the Year\u2019 at The Rencontres d&#8217;Arles Book Awards.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The photographs in this work depict the hands of prisoners from the early 20th-century Turkey, drawn from the photograph albums [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3606,"parent":572,"menu_order":10,"comment_status":"closed","ping_status":"closed","template":"templates\/opencall-wpis.php","meta":{"inline_featured_image":false,"footnotes":""},"class_list":["post-3605","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v18.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>CEMRE YE\u015eIL G\u00d6NENLI - 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